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Victoria Wyndham on Another World and another life

February 14th, 2019

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Thursday, December 13, 2007

Victoria Wyndham was one of the most seasoned and accomplished actresses in daytime soap opera television. She played Rachel Cory, the maven of Another World‘s fictional town, Bay City, from 1972 to 1999 when the show went off the air. Wyndham talks about how she was seen as the anchor of a show, and the political infighting to keep it on the air as NBC wanted to wrest control of the long-running soap from Procter & Gamble. Wyndham fought to keep it on the air, but eventually succumbed to the inevitable. She discusses life on the soap opera, and the seven years she spent wandering “in the woods” of Los Angeles seeking direction, now divorced from a character who had come to define her professional career. Happy, healthy and with a family she is proud of, Wyndham has found life after the death of Another World in painting and animals. Below is David Shankbone’s interview with the soap diva.

Contents

  • 1 Career and motherhood
  • 2 The politics behind the demise of Another World
  • 3 Wyndham’s efforts to save Another World
  • 4 The future of soap operas
  • 5 Wyndham’s career and making it as a creative
  • 6 Television’s lust for youth
  • 7 Her relationship today to the character Rachel Cory
  • 8 Wyndham on a higher power and the creative process
  • 9 After AW: Wyndham lost in California
  • 10 Wyndham discovers painting
  • 11 Wyndham on the state of the world
  • 12 Source
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Explosion in San Francisco injures one, cause unknown

February 14th, 2019

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Friday, August 19, 2005

An explosion from an underground utility chamber in downtown San Francisco severely injured a woman and shattered a window at a Ralph Lauren clothing store shortly after 10:00 a.m. Pacific time Friday. According to a caller to KCBS radio, a woman was engulfed in flames after the explosion triggered a fire in the store. The fire was quickly put out.

A bomb squad is currently investigating the explosion, and the cause has yet to be determined. One official said the explosion may have been caused by an electrical transformer. A witness described a fireball coming out of the side of the building

Pacific Gas & Electric Co. company spokesman Paul Moreno has stated that “there was no indication of a gas leak.” Moreno also described the aftermath of the blast. “The explosion did displace manhole covers — two round steel ones — and it also displaced a concrete cover as well,” Moreno said.

Some accounts have described a rift in the sidewalk caused by the explosion below.

Construction worker Tom Demartini, who was sitting in his truck outside the Ralph Lauren store, stated he saw the sidewalk rise up six or seven inches. “It sounded like a big poof, then there was a lot of smoke,” Demartini said. “One woman looked like she was badly burned.”

The burned woman was taken to the emergency room at St. Francis Hospital. Hospital spokeswoman Linda Gillespie had no immediate comment on her condition. Her name was not released.

Workers in a nearby office building described how the blast shook their buildings and that they thought it was an earthquake. According to one woman, the elevator in her building stopped.

Scores of police have evacuated buildings several blocks around the explosion. Kearny street between Sutter and Market has been closed to both vehicles and pedestrians.

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Wikinews interviews Australian wheelchair basketball coach Tom Kyle

February 14th, 2019

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Tuesday, July 1, 2014

Toronto , Canada —What experiences makes a coach of an international sports team? Wikinews interviewed Tom Kyle, the coach of the Australia women’s national wheelchair basketball team, known as the Gliders, in Toronto for the 2014 Women’s World Wheelchair Basketball Championship.

((Wikinews)) Tell us about yourself. First of all, where were you born?

Tom Kyle: I was born in Cooma, in the Snowy Mountains in New South Wales. Way back in 1959. Fifteenth of June. Grew up in the Snowy Mountains Scheme with my family. At that stage my father worked for the Snowy scheme. And started playing sport when I was very young. I was a cricketer when I first started. Then about the age of 12, 13 I discovered basketball. Because it had gotten too cold to do all the sports that I wanted to do, and we had a lot of rain one year, and decided then that for a couple of months that we’d have a go at basketball.

((WN)) So you took up basketball. When did you decide… did you play for the clubs?

Tom Kyle: I played for Cooma. As a 14-year-old I represented them in the under-18s, and then as a 16-year-old I represented them in the senor men’s competition. We played in Canberra as a regional district team. At the age of 16 is when I first started coaching. So I started coaching the under-14 rep sides before the age of 16. So I’m coming up to my forty years of coaching.

((WN)) So you formed an ambition to be a coach at that time?

Tom Kyle: Yeah, I liked the coaching. Well I was dedicated to wanting to be a PE [Physical Education] teacher at school. And in Year 12 I missed out by three marks of getting the scholarship that I needed. I couldn’t go to university without a scholarship, and I missed out by three marks of getting in to PE. So I had a choice of either doing a Bachelor of Arts and crossing over after year one, or go back and do Year 12 [again]. Because of my sport in Cooma, because I played every sport there was, and my basketball started to become my love.

((WN)) } You still played cricket?

Tom Kyle: Still played cricket. Was captain of the ACT [Australian Capital Territory] in cricket at the age of 12. Went on to… potentially I could have gone further but cricket became one of those sports where you spend all weekend, four afternoons a week…

((WN)) I know what it’s like.

Tom Kyle: At that stage I was still an A grade cricketer in Cooma and playing in Canberra, and rugby league and rugby union, had a go at AFL [Australian Football League], soccer. Because in country towns you play everything. Tennis on a Saturday. Cricket or football on a Sunday. That sort of stuff so… And then basketball through the week.

((WN)) So you didn’t get in to PE, so what did you do?

Tom Kyle: I went back and did Year 12 twice. I repeated Year 12, which was great because it allowed me to play more of the sport, which I loved. Didn’t really work that much harder but I got the marks that I needed to get the scholarship to Wollongong University. It was the Institute of Education at that stage. So I graduated high school in ’78, and started at the Institute of Education Wollongong in ’79, as a health and PE — it was a double major. So a dual degree, a four year degree. After two years there they merged the Institute of Education with the University of Wollongong. So I got a degree from the University of Wollongong and I got a degree from the Institute of Education. So I graduated from there in ’83. At that stage I was coaching and playing rep basketball in Wollongong in their team underneath the NBL I played state league there for Shellharbour. Still coaching as well with the University, coaching the university sides. It was there that I met up with Doctor Adrian Hurley, who was then one of the Australian coaches, and he actually did some coaching with me when I was at the University, in the gym. So that gave me a good appreciation of coaching and the professionalism of it. He really impressed me and inspired me to do a bit more of it. So in ’84 I got married and I moved to Brisbane, and started teaching and looking after the sport of basketball and tennis at Anglican Church Grammar School in Brisbane.

((WN)) You moved to Brisbane for the job?

Tom Kyle: Yes, I was given a job and a house. The job basically entailed looking after their gymnasium and doing some part-time teaching as well as being the basketball convener and tennis convener. I looked after those sports for the private boys school. Churchie is a very big school in Brisbane and so I did that in ’84 with my wife at that stage and we lived on the premises. In 1985 I took a team of fifteen boys from Churchie into the United States for a couple of summer camp tours which we do, and I got involved in the Brisbane Bullets team at that stage, getting them moved in to Churchie to train. The Brisbane Bullets was the NBL team in Brisbane at the time. So that got me involved in the Brisbane coaching and junior basketball. I was actually in charge of junior basketball for the Brisbane association. As part of that, I coached at Churchie as well. Looked after some things at the Brisbane Bullets’ home games. So that got me well and truly involved in that. And then in ’85 was the birth of my first son, and with that came a bit of change of priorities, so then in 1986 I moved back to Sydney. I got offered a job at Harbord Diggers Memorial Club at Harbord, looking after their sports centre. So I saw that as an opportunity to get out of, I suppose, the teaching side of things at that stage didn’t appeal to me, the coaching side did, the teaching side and the fact that you had to follow the curriculums, and some of the things you weren’t allowed to have fun, to me if you’re going to learn you’ve got to have fun. So that was my sort of enough for the teaching side, I figured I’d go and do something else, and get to keep my coaching alive on the side. So I moved back to Sydney, with my family and my young son. I had a second son in 1987, and I started coaching the Manly-Warringah senior men’s and development league teams. We were in the state league at that stage. So I had both of those teams and I was coaching them, travelling around the north of the state, and competing. We were fortunate enough we came second the year I was the head coach of the men in the state competition for our area. That gave me a whole new perspective of coaching, because it was now senior men’s coaching as well as junior men’s. We had people like Ian Davies coming out of the NBL at Sydney and trying out wanting to play with the men’s squad. Fair quality in that group. The Dalton boys came out of that program. I didn’t coach them, but Brad and Mark Dalton who played for the Kings. That gave me a good couple of years. At that stage I’d changed jobs. I’d actually moved up to Warringah Aquatic Centre in Sydney. Which was at the time the state swimming centre. And I was the director of that for a year. Or eighteen, nineteen months. In that time we held the selection criteria for the 1988 Seoul Olympics swimming. So the national championships and what they call the Olympic selection qualifiers. So we held them at the Warringah Aquatic Centre when I was in charge of it which made it quite an interesting thing, because there I got to see elite sport at its best. Australian swimming. All the swimmers coming through. Lisa Curry has just retired, and I saw her. All the swimmers going to Seoul. That gave me a good appreciation of professional sport, as well as managing sports facilities. So I was there for two years, eighteen months basically. And we’d made a decision that we wanted to come back to Brisbane. So moved back to Brisbane in 1989, to take up a job as a marketing officer at the Department of Recreation at Brisbane City Council. That was my full-time job. Meanwhile, again, I got involved in a bit of coaching. My sons were looking at becoming involved, they were going through St Peter Chanel School at The Gap, and that was a feeder school for Marist Brothers Ashgrove in Brisbane, which was a big Catholic boys’ school in Brisbane. So I started to get involved in Marist Brothers Ashgrove basketball program, and I became the convener of basketball as well as the head coach there for about seven or eight years running their program, while my boys, obviously, were going through the school. That was a voluntary thing, because I was still working for the [Brisbane City] Council when I first started. At that stage I’d also quit the council job and started my own IT [Information Technology] company. Which was quite interesting. Because as a sideline I was writing software. At Warringah Aquatic Centre one of the things when I got there they didn’t have a computer system, they only had a cash register. And I asked them about statistics and the council didn’t have much money, they said, “well, here’s an old XT computer”, it was an old Wang actually, so it was not quite an XT.

((WN)) I know the ones.

Tom Kyle: You know the ones?

((WN)) Yes.

Tom Kyle: And they gave me that, and they said, “Oh, you got no software.” One of the guys at council said “we’ve got an old copy of DataEase. We might give you that,” which old an old database programming tool. So I took that and I wrote a point of sale system for the centre. And then we upgraded from DataEase, we went to dBase III and dBase IV. Didn’t like dBase IV, it had all these bugs in it, so my system started to crash. So I’d go home at night and write the program, and then come back and put it into the centre during the day so they could collect the statistics I wanted. It was a simple point of sale system, but it was effective, and then we upgraded that to Clipper and I started programming object orientated while I was there, and wrote the whole booking system, we had bookings for the pools, learn-to-swim bookings, point of sale. We actually connected it to an automatic turnstyle with the coin entry so it gave me a whole heap of new skills in IT that I never had before, self-taught, because I’d never done any IT courses, when I went to Brisbane City Council and that didn’t work out then I started my own computer company. I took what I’d written in Clipper and decided to rewrite that in Powerbuilder. You’ve probably heard of it.

((WN)) Yes.

Tom Kyle: So that’s when I started my own company. Walked out of the Brisbane City Council. I had an ethical disagreement with my boss, who spent some council money going to a convention at one place and doing some private consultancy, which I didn’t agree with Council funds being done like that, so I resigned. Probably the best move of my business life. It then allowed me then to become an entrepreneur of my own, so I wrote my own software, and started selling a leisure package which basically managed leisure centres around the country. And I had the AIS [Australian Institute of Sport] as one of my clients.

((WN)) Oh!

Tom Kyle: Yes, they have a turnstyle entry system and learn-to-swim booking system and they were using it for many years. Had people all over the country. I ended up employing ten people in my company, which was quite good, right through to, I suppose, 1997?, somewhere in there. And I was still coaching full time, well, not full time, but, voluntary, for about 35 hours a week at Ashgrove at the time, as well as doing, I did the Brisbane under-14 rep side as well, so that gave me a good appreciation of rep basketball. So I’d been coaching a lot of school basketball in that time. And then in 2000 I decided to give that away and went to work for Jupiters Casino. Bit of a change. I started as a business analyst and ended up as a product development manager. I was doing that, I was going through a divorce, still coaching at Ashgrove, I had been at Ashgrove now from 1992 through to 2003. I had been coaching full time as the head coach, coordinator of all the coaches and convener of the sport for the school. We won our competitions a number of times. We went to the state schools competition as a team there one year. Which we did quite well. Didn’t win it but, did quite well. In 2003 my boys had finished at school and I’d got a divorce at that stage. Been offered another opportunity to go to Villanova College, which was a competing school across the other side of the river. So I started head coaching there for five years. It was there where I started to get into wheelchair basketball. It is an interesting story, because at that stage I’d moved on from Jupiters Casino. I’d actually started working for various companies, and I ended up with Suncorp Metway as a project manager. Got out of my own company and decided to earn more money as a consultant. [evil laugh]

((WN)) A common thing.

Tom Kyle: But it was in Suncorp Metway where I got into wheelchair basketball.

((WN)) How does that happen?

Tom Kyle: At the time I was spending about 35 to 40 hours a week at Villanova College, coaching their program and my new wife, Jane, whom you’ve met…

((WN)) Who is now the [Gliders’] team manager.

Tom Kyle: Correct. She was left out a little bit because I’d be with the guys for many many hours. We did lot of good things together because I had a holistic approach to basketball. It’s not about just playing the game, it’s about being better individuals, putting back into your community and treating people the right way, so we used to do a lot of team building and […] cause you’re getting young men at these schools, trying to get them to become young adults. And she saw what we were doing one time, went to an awards dinner, and she was basically gobsmacked by what relationship we had with these boys. How well mannered they were and what influence we had. How these boys spoke of the impact on their lives. It was where she said to me, “I really want to get involved in that. I want to be part of that side of your life.” And I said, “Okay, we might go out and volunteer.” We put our names down at Sporting Wheelies, the disabled association at the time, to volunteer in disabled sports. Didn’t hear anything for about four months, so I thought, oh well, they obviously didn’t want me. One of my colleagues at work came to me and he said “Tom, you coach wheelchair basketball?” I said, “yeah, I do.” And he said, “Well, my son’s in a wheelchair, and his team’s looking for a coach. Would you be interested?” And I thought about it. And I said, “Well, coaching for about 35 hours a week over here at Villanova School. I don’t think my wife will allow me to coach another 20 hours somewhere else, but give me the information and I’ll see what we can do.” He gave me the forms. I took the forms home. It was actually the Brisbane Spinning Bullets, at that stage, which was the National [Wheelchair Basketball] League team for Queensland. They were looking for coaching staff. I took the forms home, which was a head coach role, an assistant head coach role, and a manager role. I left them on the bench, my wife Jane took a look at it and said, “Hey! They’re looking for a manager! If I’d be the manager, you could be the head coach, it’s something we could do it together. We always said we’d do something together, and this is an opportunity.” I said, “Okay, if you want to do that. I’m still not going to drop my Villanova commitments, I’m going to keep that going. So that was in the beginning of 2008. So we signed up and lo and behold, I got the appointment as the head coach and she got the appointment as the manager. So it was something we started to share. Turned up at the first training session and met Adrian King and Tige Simmonds, Rollers, Australian players… I’d actually heard of Adrian because we’d had a young boy at Ashgrove called Sam Hodge. He was in a chair and he brought Adrian in for a demonstration one day. I was quite impressed by the way he spoke, and cared about the kids. So to me it was like an eye-opener. So I started coaching that year, started in January–February, and obviously it was leading in to the Paralympics in 2008, Beijing. And coaching the team, I started coaching the national League, a completely different came, the thing I liked about it is wheelchair basketball is like the old-school basketball, screen and roll basketball. You can’t get anywhere unless somebody helps you get there. It’s not one-on-one like the able-bodied game today. So that was really up my alley, and I really enjoyed that. I applied a couple of things the boys hadn’t actually seen, and as it turns out, I ended up coaching against the [Perth] Wheelcats in a competition round. And I didn’t at the time know, that the guy on the other bench was Ben Ettridge, the head coach for the Rollers. And after the weekend we shook hands and he said, “I really like what you do, what you’re trying to do with this group. And he said I like the way you coach and your style. Would you be interested if the opportunity came up to come down to Canberra and participate in a camp. He said “I can’t pay you to be there, but if you want to come along…” I said “Absolutely. I’ll be there.” So about three or four weeks later I get a phone call from Ben and he said “We’ve got a camp coming up in February, would you like to come in?” I said: “Yep, absolutely”, so I went and flew myself down there and attended the camp. Had a great time getting to know the Rollers, and all of that, and I just applied what I knew about basketball, which wasn’t much about wheelchair, but a lot about basketball, ball movement and timing. And I think he liked what he saw. The two of us got on well. And out of that camp they were getting the team prepared to go to Manchester. They were going into Varese first, Manchester for the British Telecom Paralympic Cup that they have in May, which is an event that they do prior to some of these major events. That was 2009, my mistake, after Beijing; so the camp was after Beijing as well. So I was sitting at Suncorp Metway running a big CRM program at the time, because they had just merged with Promina Insurances, so they’d just acquired all these companies like AAMI, Vero and all those companies, so we had all of these disparate companies and we were trying to get a single view of the customer, so I was running a major IT project to do that. And I get a phone call from Ben on the Friday, and he said “Look, Tom, we’re going to Varese in the May, and we’re going on to Manchester.” I said, “I know”. And he said, “Craig Friday, my assistant coach, can’t make it. Got work commitments.” I said: “Oh, that’s no good.” And he said: “Would you be interested in going?” And I said “Well, when’s that?” And he said: “Monday week.” And this was on the Friday. And I said: “Look, I’m very interested, but let me check with my boss, because I [am] running a big IT project.” So I went to my boss on the Friday and I said “Look, I am very keen to do this Australian opportunity. Two weeks away. You okay if I take two weeks off?” And he said. “Oh, let me think about it.” The Monday was a public holiday, so I couldn’t talk to him then. And I said “Well, I need to know, because it’s Monday week, and I need to let him know.” And he said, “I’ll let you know Tuesday morning.” So I sort of thought about it over the weekend, and I rang Ben on the Sunday night I think it was, and I said “I’m in!” He said: “Are you okay with work?” I said: “Don’t worry about that, I’ll sort it out.” Anyway, walked into work on Tuesday morning and the boss said… and I said I just to put it on the table: I’m going. You need to decide whether you want me to come back.” And he said: “What?!” And I said, “Well, I love my basketball. My basketball has been my life for many years, many, many hours. Here’s an opportunity to travel with an Australian side. I’m telling you that I’m taking the opportunity, and you need to determine whether you want me back. ” And he said: “Really?” And I said: “Yeah. Yeah. That’s it.” And he said: “Well, I’ll have to think about that.” And I said, “well you think about it but I’ve already told the Australian coach I’m going. It’s a decision for you whether you want me back. If you don’t, that’s fine, I don’t have a problem.” So on the Wednesday he came back and said: “We’re not going to allow you to go.” I said: “Well, I’m going. So here’s my resignation.” He says: “You’d really do that?” And I said: “Absolutely.” And I resigned. So on the Friday I finished up, and got on a plane on Monday, and headed to Varese as Ben’s assistant on the tour. Got to spend a bit more time with Tige Simmonds and Adrian and Justin and Brad and Shaun and all the boys and had a fabulous time. Learnt a lot. And then we went on to Manchester and learnt even more, and I think Ben was quite happy with what I’d done. With my technical background I took over all the video analysis stuff and did all that recording myself. We didn’t really want any hiccups so he was pretty happy with that. So after that Ben asked me if I would be interested in becoming an assistant coach with the under-23s, because the then-coach was Mark Walker and Ben Osborne was his assistant but he wanted somebody else who, as he put it, he could trust, in that group, because a number of his developing players were in that group. So that meant that I had some camps to do in June when I came back, and then in July, think it was July, 2009, went to England and Paris with the under-23s for the world championships. That was my first foray as an assistant coach officially with the Australian team, and I was the assistant coach. It was a combined team at that stage, boys and girls. Cobi Crispin was on that tour. Amber Merritt was on that tour. Adam Deans was on that tour, Colin Smith, Kim Robbins, John McPhail, all of those. There was a number of junior Rollers coming through that group. Bill Latham was on that tour. He really appreciated what I’d done there, and when Craig Friday said that he was having a family and couldn’t commit to the next year in 2010 which was the world championship year, Ben asked me to join the program. So that’s how I started. So in 2010 I attended my first official world championships with the Rollers, and we won.

((WN)) Yes!

Tom Kyle: So that was an amazing experience to go on that tour and to see what a championship team looks like under the competition of that ilk. And I was then the assistant coach basically right through to London. After London, Ben was quite happy for me to continue. I was doing it voluntarily. By this stage, 2011, I’d given up all the Villanova stuff so I concentrated just on the wheelchair and my Queensland group. And I started to build the Queensland junior program, which featured Tom O’Neill-Thorne, Jordon Bartley, Bailey Rowland, all of those sort of players. You probably don’t know too many of them, but,

((WN)) No.

Tom Kyle: They’re all the up-and-comers. And three of those were in last year’s, 2013 under-23s team. So in 2012 obviously we went to Varese then on to London for the Paras. Won silver in that. When I came back, Ben asked me to do the under-23s as the head coach, and asked me who I wanted as my assistant, so in the December, we, David Gould and I…

((WN)) So you selected David as your assistant?

Tom Kyle: Yes! Yes! Yes! I had a lot of dealings with David, seeing him with the Gliders. Liked what I saw. Plus I’d also seen him with the Adelaide Thunder. He was coaching them for a while, and I really liked the way he worked with kids. He’d also done a camp with the under-23s in 2012 because I couldn’t attend, himself and Sonia Taylor. What was Sonia’s previous name before she married Nick Taylor? […] Anyway, they did a development camp in January 2012 with the under-23s group because I couldn’t attend. Good feedback coming back from that. In the April, the Rollers had gone off to Verase, and there was an opportunity to go to Dubai with the under-23/25 age group. So David and Sonia took them to Dubai and did a good job with them, a really great job with them. So the job for the 23s came up in November 2012. I applied. Got the job. And then was asked who I would want as my assistants, and Ben told me who the other applicants were and I told him, yep, happy with both of those. David became my first assistant […] So we took the under-23s group in December. Had a couple of camps in the first part of 2013, getting ready for the world championships in Turkey in September. At that stage we got to about June, and the head coach for the Gliders came up as a full time position.

((WN)) They hadn’t had a full-time coach before.

Tom Kyle: No, it was all voluntary so John Triscari was, well, not voluntary; was getting a little bit of money, not a great deal.

((WN)) But it wasn’t a full time job.

Tom Kyle: No. So Basketball Australia decided that they needed a full-time coach, which was a big investment for them, and they thought this was the next step for the Gliders. So at the end of May, I remember talking to my wife, because at that stage she’d been on the Gliders’ tour as a replacement manager for Marion Stewart. Marion couldn’t go on a certain tour, to Manchester, so Jane filled in. And they talked to her about possibly becoming the manager of the Gliders moving forward if Marion ever wanted to retire. So in the May when the job came up I looked at it and went, well, can’t, it’s a conflict of interest, because if I put my name up, potentially Jane misses out on being the manager. Also I thought if Ben really wants me to go for it he would have asked me. He hasn’t mentioned it, so, I didn’t apply at first look at it. And then I was just happening to talk to Ben on the side about something else and he asked me if I had put in for the Gliders and I said no I hadn’t. And he asked me why, and I told him if you would have I probably would have, and with Jane. And he said Jane shouldn’t be an issue, and he said I want you to go for it. I said, well, if you’re happy, because I’m loyal to whoever I’m with, I said I’m loyal to you Ben, and at the end of the day I’d stay with the Rollers if you want me to stay with the Rollers. Because for me I enjoy doing whatever I’m doing, and I love the program. He said no, no, I want you to put in for it. So then I had to discuss it with the wife because it meant initially that would want us to move to Sydney. That was still in the cards. So Jane and I had a talk about that. And I said, look, I’d go for it on the condition that it didn’t interfere with Jane’s opportunity to become the manager. So I put in my resume, I got an interview, and in the interview I went to Sydney, and I put all the cards on the table. I said look, the bottom line is that if it’s going to jeopardize Jane’s chances of being the manager, I will opt out. And at that stage they said no, they see that as possibly a positive, rather than a negative. So I said okay, if that’s the case. It’s funny. On the day we had the interview I ran in David Gould back in the airport, because he’d obviously had his interview. And we were talking and I said: “Oh, I didn’t think you were going for it.” And he said, yeah, I wasn’t, because I don’t really want to move to Sydney. And I said, well that was one of the other reasons I did put in for it, because if you didn’t get it I wanted to make sure someone who was passionate about the Gliders to get it. And there’s a couple on the list who may be passionate, but I wasn’t sure. I knew you were, because we’d talked about it at the under-23s. So we had a chat there and I said, if he gets it, he’d put me as an assistant and if I get it I’d put him as an assistant. Because we’d worked so well with the under-23s together as a unit. And we do. We work very well together. We think alike, we both like to play the game etc. So it turns out in June I got a phone call from Steve Nick at that stage and got offered the job with the Gliders. So I started on the first of July full time with the Gliders, but I still had the under-23s to get through to September, so we had a camp, our first camp in July with the Gliders. Went to a national league round in Sydney and then we bused them down to Canberra for a camp. And that was quite an interesting camp because there were a lot of tears, a lot of emotion. It was the first camp since London. It was eighteen months, nearly two years since London [editor’s note: about ten months] and nobody had really contacted them. They’ve been after a silver medal, left. Just left. They were waiting for someone to be appointed and no one had been in touch. And all that sort of stuff. So we went through a whole cleansing exercise there to try and understand what they were going through. And I felt for the girls at that stage. ‘Cause they put a lot of work into being the Gliders, and they do all the time. But they felt disconnected. So that was an emotional camp, but as I said to David at the time, we’ve got to build this program. Since then we’ve been working through. We did the under-23 worlds with the junior boys in September in Turkey. They earned third, a bronze medal. Could have potentially played for gold, but just couldn’t get it going in the semifinal. And then we came back to the Gliders and got ready for Bangkok. Bangkok was our first tour with the Gliders, which was a huge success. Because we got some confidence in the group, and that’s one of the things we’re working on is building their confidence and a belief in themselves. Being able to put things together when it really counts. So that was one of our goals. So Bangkok was our first tour, and I think we achieved a lot there. Got a good team bonding happening there. We’ve since then been to Osaka in February, which was another good outing for the girls. Five day experience with playing five games against the Japanese. That was good. Then in March we brought them here [Canada] for a tournament with the Netherlands, Canada and Japan, and then down to the United States for a four game series against the US. And again, that was a good learning experience. Then back home for a month and then we got to go to Europe, where we played in Frankfurt for the four games, and to Papendal with the Netherlands team. We played three games there before we came here.

((WN)) So that’s a pretty detailed preparation.

Tom Kyle: Yeah, it’s been good. Pretty detailed. It’s been good though. We’re still growing as a group. We’re a lot stronger than we ever have been, I think, mentally. But we’re now starting to get to the real honesty phase, where we can tell each other what we need to tell each other to get the job done. That’s the breakthrough we’ve made in the last month. Whereas in the past I think we’ve been afraid to offend people with what we say. So now we’re just saying it and getting on with it. And we’re seeing some real wins in that space.

((WN)) Thank you!

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Bangladesh security tightened following Pilkhana massacre and Bashundhara City fire

February 13th, 2019

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Friday, March 20, 2009

Following the Pilkhana massacre which occurred February 25 and 26 leaving 74 dead and the inferno at the Bashundhara City shopping mall complex March 13 leaving seven dead, Prime Minister Sheikh Hasina said security measures are being tightened countrywide across Bangladesh.

Fire drills will be enacted at all key-point installations (KPI). Fire fighting systems will be examined by the fire brigade and the public works department (PWD) to ensure functionality. Security measures will be enhanced supplementing areas under private security such as at the Bashundhara City Complex.

The Fire Service and Civil Defence Department requires modernization and needs new equipment to fight fires past the sixth floor of buildings. The Fire Brigade says it needs turntable ladders, snorkels, foam-tenders, lighting units, emergency tenders, fireproof uniforms, and rescue ropes for fire fighting and rescue operations. Transportation to fires is also an issue due to narrow roads, low electrical wires and congestion.

The Bangladesh National Building Code requires fire fighting equipment installed in buildings over seven floors. This code is to be monitored by authorities to ensure compliance with the new guidelines and to make sure buildings are being maintained.

The Bashundhara City Complex opened Monday for shoppers two days after Friday’s blaze. A probe is underway to determine the cause of the fire and to assess structural damage.

Loss of life was minimized as the blaze broke out on a Friday, the beginning of the weekend in Bangladesh, so offices in the upper floors were empty. The lower eight floors are used for shopping and the upper floors are all Bashundhara Group offices.

The mall is valued at Tk 7.0 billion (US$100 million). It is not known if the complex is covered by fire insurance.

It is estimated that it will take over two years to rebuild the area damaged by flames which were burned down to a skeleton. Bashundhara City’s technical advisor, Latifur Rahman, estimated damages at Tk 2.0 billion (US$29m).

Only one television cameraman has been allowed in to film the burnt area. None of the 2,500 shops, cinemas or cafes were burnt by the inferno. The seventh and eighth floors still experience smoke damage, and there was water damage to merchandise.

A three member committee is currently investigating the cause of the fire which will consist of Iqbal Khan Chowdhury, joint secretary of the ministry, representatives of the police, IGP Noor Muhammad, and fire brigade, Director General Abu Nayeem Md Shahidullah. The committee is required to report within the week with their findings. The forensics department is also sifting through the burnt remains.

The Dhaka Chamber of Commerce and Industries has also formed a committee which has begun interviewing witnesses and recording their testimony alongside the government committee.

It has been discovered that 150 closed circuit cameras were not being used when the fire started. Another mystery is why the mall fire fighting system has been found unused.

Why the fire burnt so fiercely is a matter to think….These matters seem to be mysterious

“In the shopping mall there is an ultra-technology elevator which runs even without electricity but we have found that locked,” Iqbal Khan Chowdhury, joint secretary (Police) of the home ministry, said. “Why the fire burnt so fiercely is a matter to think. We have to see if there was any incendiary substance there. These matters seem to be mysterious.”

Mall management has been asked to submit substances and items which would have been in the upper floors when the fire started. The fire erupted on the 17th floor and spread quickly to the two floors above and engulfed the three floors below. The aerial ladders belonging to the Fire Service and Civil Defence reached as high as the 13th floor of the 21-storey building.

Videos have been sent to the United States (US) for examination to assist in determining the cause of the fire and to help in the damage assessment. Experts from the US are expected to arrive soon.

Firefighters were brought to the rooftop of the 20-storey tower by helicopter. The only fatality in this operation was Baki Billa, a firefighter of Bashundhara City firefighting department, who fell when climbing down a rope from a helicopter to the roof of the building. Three other firefighters made the transition safely. At this same time, the chief security officer was safely rescued by the Bangladesh Air Force helicopter, a Bell 212. Six security officers of the complex also lost their lives.

French workers use threats in compensation demand

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French workers use threats in compensation demand

February 13th, 2019

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Friday, July 17, 2009Following similar threats by workers at New Fabris and Nortel, workers at JLG in Tonneins, France, threatened to blow up several platform cranes. The JLG factory announced in April 2009 that it will fire 53 of its 163 workers by the end of 2009, while the remaining 110 jobs will not be secure over the next 2 years.

JLG Tonneins was acquired in 2006 with its parent JLG Industries, a maker of aerial work platforms, by the U.S.-based Oshkosh Corporation. Despite being hugely profitable in the past, production has been much reduced since 2008 with the contraction of the construction industry and lower demand for its products. Despite excellent past results the new American management demanded sweeping cuts at the company.

In the view of locals, “the company’s actions are a disgrace given the expensive perks, such as official cars, for its corporate fat cats, compared to the sacrifice, silence, and dignity demanded by the company of those it has made redundant.”

The management offered severance pay of 3,000 (US $4,200), however the workers demanded a severance package commensurate with “the wealth that their labor has generated.” Worker’s delegates requested a “supra-legal” payment of € 30,000, on Thursday 16 of July the management responded with a counter offer of € 16,000. On Thursday night the worker’s actions secured the € 30,000 settlement initially demanded.

Tornado kills 19 in Florida

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Tornado kills 19 in Florida

February 12th, 2019

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Saturday, February 3, 2007

At least 19 people have been killed in central Florida in the city of Lady Lake and Paisley after severe storms and a tornado ripped through the cities in the middle of the night. Eleven of those killed were in Paisley and three were in Lady Lake.

The death toll is expected to rise as rescue crews resume tomorrow morning.

Volusia, Sumter, Lake and Seminole counties have all been declared a state of an emergency as dozens of houses, mobile homes and a church were destroyed. Clothes and furniture are scattered around the wrecked houses and pieces of trees are scattered about. Cars are reported to have been turned over or thrown around in the air.

“Our priority today is search and rescue,” said Gov. of Florida, Charlie Crist. Rescuers are still looking through the wreckage to find survivors of those who might have been killed.

A spokeman for the emergency response team of Lake county, Chris Patton calls the damage “devastating” and worse than “hurricanes in 2004.”

“We have complete devastation of homes, of businesses, religious institutions. It was unlike even perhaps the hurricanes of 2004 when we had minor roof damage, screen damage, pool damage. This is way far more devastating,” said Patton.

The storms hit at about 3:15 [EST] a.m. on Friday morning. At least 20,000-30,000 people are without power.

Wikinews Shorts: June 4, 2007

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Wikinews Shorts: June 4, 2007

February 12th, 2019

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A compilation of brief news reports for Monday, June 4, 2007.

MediaCorp Radio in Singapore has been fined 15,000 Singaporean dollars (US$9,800) over an on-air stunt in March in which female guests on a radio show were asked to remove their brassieres, and pose for video that was to be posted on the station’s website and on YouTube.

The Media Development Authority said the radio show’s hosts made improper and sexually suggestive remarks about “how fast the bras were removed, as well as the color, design and cup size of the bras, and the size of the girls’ breasts.”

Sources


Researchers at University of Malaya say they have developed an erectile dysfunction cure from walnut extract.

“It takes about an hour for the effects to set in and it will last for about four hours,” said Professor Dr. Kim Kah Hwi of the Faculty of Medicine Physiology.

So far, 40 volunteers have tried the Viagra alternative, called “N-Hanz”, with positive results, Kim said. To make one pill, it takes about 3.3 kilograms (about 7 pounds) of walnuts.

Sources


An 8-year-old Indonesian boy died after being attacked on Saturday by a Komodo Dragon at Komodo National Park on Komodo.

The boy was attacked while making a toilet stop in a bush, a park official said. “The dragon bit his waist, tossed him and dragged him. His right leg was badly scratched,” park spokesman Heru Rudiharto said. The boy then bled to death.

Attacks by Dragons on humans are rare, though the reptiles, which can grow to a length of 3 meters (9 feet), regularly kill such prey as pigs and small deer. Komodo Dragons are an endangered and protected species, and about 2,000 of them live in the wild, mainly on Komodo and nearby Rinca island.

Sources


On the campaign trail, March 2012

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On the campaign trail, March 2012

February 12th, 2019

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Wednesday, April 4, 2012

The following is the fifth in a monthly series chronicling the U.S. 2012 presidential election. It features original material compiled throughout the previous month after a brief mention of some of the month’s biggest stories.

In this month’s edition on the campaign trail, a politician from outside the fifty states receives significant mention as a potential Republican Party vice presidential nominee, Wikinews gets the reaction of three Democratic Party candidates after the party strips delegates from two of their fellow challengers, and a minor third party removes its presidential nominee for fraud.

Contents

  • 1 Summary
  • 2 Might the GOP VP nominee come from Puerto Rico?
  • 3 Democratic Party strips delegates
  • 4 Party removes presidential nominee
  • 5 Related articles
  • 6 Sources

Past Eurovision contestants give advice to this year’s performers, speculate on who will win

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Past Eurovision contestants give advice to this year’s performers, speculate on who will win

February 12th, 2019

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Sunday, May 10, 2009

It happens once a year. Nearly all of Europe’s eyes are on 25 musical acts on finale night. Whether you love it or you hate it, it has your attention. Hundreds of millions are watching them. Whether viewers are waiting for the performance of a lifetime or a hilarious slip-up, for those three minutes their attention is owned by each respective singer.

That’s the feeling that the entrants in Moscow will know on Saturday, and it’s also the same feeling the eight singers who were interviewed by Wikinews have experienced. Last week, eight singers from eight different countries took time out of their various schedules to discuss their favorite moments from competing, their own personal anecdotes, advice they give to the performers this year in Moscow, who they think will win, and most importantly to them, what they’re doing now and what they’re offering to their audience.

This is the sixth and final interview set the English Wikinews will publish in the run-up to the semi-final and final rounds of the Eurovision Song Contest. Mike Halterman conducted all interviews, and will conduct additional interviews after the Contest. The final round airs May 16 at 9 p.m. CET; check with your national broadcaster’s website for possible delays. Where available, the Contest’s final round will also be broadcast on national radio.


Jessica Garlick, originally from Kidwelly in Wales, became famous in 2001 for her participation in the singing competition Pop Idol, where she finished in ninth place. Four months later, she won A Song for Europe, the British national selection for the Eurovision Song Contest, and went on to represent the United Kingdom two months later at the Eurovision 2002 final in Tallinn, with the song “Come Back.” She placed third, which turned out to be the best result for the United Kingdom for the decade. Now 27, married and a mother, Jessica Garlick is returning to music with a new set of priorities.

((Mike Halterman)) What projects are you working on? What can your fan base expect to see from you this year?

Jessica Garlick: Right now I’m busy promoting my new single “Hard Not to Fall” which is due to be released this month…it’s available to download from iTunes from 9th May, with the official release being 25th May. I’m also currently co-writing my album, which will be released later on this year. It really does feel great to be back in the music industry.

((Mike Halterman)) What were some of the best memories you have from going to Eurovision? What advice would you give to the singers going to Eurovision for the first time this year?

Jessica Garlick: Some of my best memories from doing Eurovision would be visiting Estonia, I don’t think it’s a place I’d ever have visited if it wasn’t for performing there, and it really is beautiful. While I was there during the week I had the opportunity to fly out into the Baltic Sea via helicopter and spend the afternoon on board HMS Chatham too. I was allowed to drive the frigate, and got to perform to the troops on board, who were so appreciative.

I have so many more, and met such amazing people during the whole promotion and run-up period as well as the Eurovision week itself. My only regret is not taking as many photos as I would have liked to. So my advice to others doing Eurovision would be [to] definitely take lots of pictures, and really enjoy your performance and everything that representing your country brings with it.

((Mike Halterman)) The music videos for this year are up at youtube.com/eurovision. Which songs are your favorites and which country do you think has the best chance of winning?

Jessica Garlick: I have been fortunate enough to have been able to perform alongside some of this year’s Eurovision entries, and was totally impressed! I love the Iceland entry this year…the song “Is it True?” is a really beautiful ballad, and Johanna sings it really well! I would say that from a song point of view, this is definitely my favourite song.

I do, however, think that the Ukraine could win this year! Svetlana‘s performance is crazy!! She’s absolutely wild! Her live performance is out of control! She is definitely “in it to win it”, and is going all out to ensure she does everything to make this happen. She is one to watch on the night for sure! There will definitely be something amazing going on on stage during her performance. She’ll keep you captivated, and make it memorable!!

((Mike Halterman)) A lot of the fans you had from when you were on Pop Idol and Eurovision 2002 don’t know the reason why you dropped out of music and out of sight. What happened? Also, do you find it difficult returning to the music industry after being away for six years?

Jessica Garlick: After Pop Idol and Eurovision I started to write songs…something I had never done before, and didn’t think I would be any good at. But I have been fortunate enough to travel the world since, co-writing with some of the world’s best songwriters. I decided to take a step out of the industry for a while in 2004 when I got married to my teenage sweetheart Owen.

I lost my passion for music for a while if I’m honest and we wanted to travel together for a bit, and actually moved to Australia for a short time, before I got totally broody. So in 2007 I gave birth to my little girl Olivia, and have been doing the wife and at-home mummy thing since, which I absolutely love!!

I made the decision to get back in the studio and start writing again in January of this year and it felt so good, and when I recorded “Hard Not to Fall” I knew it was a song that I wanted everyone to hear, and I completely got my passion and drive back for it. The music industry has changed a lot since I was last in it…but in actual fact it’s working better for me this time.

I have a lot more control, which is important to me, especially with Olivia being my main priority…I am first and foremost a mum, and I want to be a good one at that, and I’m also working with people that I really like and trust, which makes working together fun, and music should be fun. It’s definitely a lot harder this time around, as I am juggling “real life” too, and I can’t afford to be the selfish person that being successful in the industry can sometimes mean you have to be. I’m having the most wonderful time being back though, and am almost astounded by the great support I have from all my old fans. They’re the best!!

Ani Lorak, born Karolina Kuiek (the name “Ani Lorak” is “Karolina” spelled backwards), first became famous for her vocal talent in Russia and her native Ukraine in 1995. She took part in arguably the biggest performance of her career at Eurovision in 2008, placing second with the song “Shady Lady.” Celebrating her 30th birthday in September, she has kept up a busy schedule, including the release of a new album.

((Mike Halterman)) What projects are you working on? What can your fan base expect to see from you this year?

Ani Lorak: I’ve just released my new album called “Sontse” (The Sun). The album was written and recorded in Greece at the “VOX studio” by Dimitris Kontopoulos, who also helped with the song “Shady Lady” for Eurovision 2008. The album will be released not only in Ukraine but also in Russia.

In the autumn I plan to start a large tour of 25 cities in support of the new album. Also, we are planning to play some solo concerts in the Palace “Ukraine” in Kiev. I was pleasantly surprised when, at the beginning of the year, an award came to my office from the British radio station “Eurovision Song Contest Radio.” By audience vote, its listeners named me the “Best Female Singer for 2008” for my song “Shady Lady.” I don’t like to think ahead and to anticipate, but I’ll try to do as much as my energies will allow so people can be fulfilled in the future.

((Mike Halterman)) What were some of the best memories you have from going to Eurovision? What advice would you give to the singers going to Eurovision for the first time this year?

Ani Lorak: Because I participated in the contest only in 2008, I can remember it all: during the promotional tour I visited many countries in which I hadn’t been before. I met wonderful people: Dimitris Kontopoulos, Roberto Cavalli; I made new friends and supporters. [Editor’s note: Roberto Cavalli designed the diamond dress Ani Lorak wore during her Eurovision performance.] I had to work very diligently to get the result [I got].

In Eurovision I found the heart of this contest. The “Artistic Award”, which [they] usually hand to the best artist of the contest, [was given to me]; Raffaella Carrà invited me to her television program in Italy, and my tours took me further and further away geographically. I really liked the atmosphere of [the] contest. All the contestants were friendly, happy, helped each other, and supported one another. Those weeks were not simple, but very happy in my life.

I wish to all the participants lots of inspiration, tenacity, crazy energy, hard work and belief in yourself and your strength. It is not unachievable; the main thing is to settle for being frank and sincere to the audience.

((Mike Halterman)) The music videos for this year are up at youtube.com/eurovision. Which songs are your favorites and which country do you think has the best chance of winning?

Ani Lorak: I can say one thing – Eurovision is a very unpredictable contest, and to do any predictions is very difficult. I know that in Moscow this year there will be many very well-known professional artists: Sakis Rouvas and Patricia Kaas. The main thing in this contest is to enter the scene and present for your country 200%. I wish good luck to all participants, but I’ll root, as a patriot, for my country.

((Mike Halterman)) What goals have you not achieved yet in your career, but would like to eventually?

Ani Lorak: We have a proverb: “If you want God to laugh, then tell Him about your plans.” It’s important to have enough strength for my professional accomplishments, for my career, and for my eventual creative achievements. But all this must go together with my personal life. I want to realize my self-worth in all spheres. Maybe I’ll open my own clothing line.

But most importantly for me, every day I will raise the bar with regard to my professional development as a singer and artist. The main point – I have everything ahead of me, and I will go to [any lengths to] achieve my dreams — my Oscar is yet to come!

Marija Naumova, who goes by the stage name Marie N, is best-known to European audiences for winning the Eurovision Song Contest for Latvia in 2002 with her song “I Wanna.” The next year, she hosted the Contest in Riga with past Latvian entrant Ren?rs Kaupers. Now 35, she has moved a lot of her focus to musical theatre and is very serious about honing her talent.

((Mike Halterman)) What projects are you working on? What can your fan base expect to see from you this year?

Marie N: At this time I am a student at acting school in Paris, so now all [my] plans are more about theatre, but I also started to work on my new album and I hope that at the end of the year I [can] present that to [the] audience, but I think that at the moment it’s too early to talk about it. [smile]

((Mike Halterman)) What were some of the best memories you have from going to Eurovision? What advice would you give to the singers going to Eurovision for the first time this year?

Marie N: I liked everything during the week we spent there. We really had a lot of fun. The [atmosphere] was very professional, participants were very friendly…but the most emotional [part] was our trip back home – the way from Tallinn to Riga by bus with the police accompanying us and people waiting for us with flowers along the road…

The only advice is to enjoy every moment and especially the three minutes of the presentation – it is really something special. [smile]

((Mike Halterman)) The music videos for this year are up at youtube.com/eurovision. Which songs are your favorites and which country do you think has the best chance of winning?

Marie N: I think that there are a lot of songs which have chances to win, but it depends on the energy that [the] singers will bring with them [to] the stage on that special evening.

((Mike Halterman)) Which task was more fun for you, winning Eurovision or hosting it the next year? Which one made you more nervous, and why?

Marie N: Of course singing was more fun than the hosting because you are responsible only for yourself, but hosting brings a responsibility for the whole show. I wish all the best for all the participants; enjoy. [smile]

Niels Olsen, nicknamed “Noller,” (pictured, left) and his older brother Jørgen (right) make up the duo The Olsen Brothers. A well-known act in Denmark since the early 1970s, the duo successfully staked a new claim to relevance by winning the Eurovision Song Contest in 2000 with the entry “Fly on the Wings of Love.” Now 55, Niels Olsen uses every chance possible to let his audience know that age is simply a number, especially in Eurovision which tends to favor younger entrants.

((Mike Halterman)) What projects are you working on? What can your fan base expect to see from you this year?

Niels Olsen: We are working on a new album and we will make a small tour to Sweden, Norway and Denmark for the rest of the year, so that’s what our fans can expect. The album will be released in 2010.

((Mike Halterman)) What were some of the best memories you have from going to Eurovision? What advice would you give to the singers going to Eurovision for the first time this year?

Niels Olsen: The best memory…well, it’s hard to say…we had a lot of fantastic memories from Stockholm in 2000. We will never forget the love we received from the public in all the European countries right after Stockholm, and the response from the Swedish people at the event. Apropos, I said to my brother after the first performance, “Well, Jørgen, I think it could be possible for us to have a hit in Sweden!!”

I would say to a “new” artist: Remember that you are not the center of the universe, and in a world perspective, the situation is not that bad if you lose the Eurovision. Stick to the ones you love and try to involve people you believe in, not the ones who promise you everything in life. In our case we have had the same manager for 35 years, we have been working with our friend and producer Stig Kreutzfeldt for 25 years, and so on. We have [made] several hits the last 35 years with these fantastic friends.

((Mike Halterman)) The music videos for this year are up at youtube.com/eurovision. Which songs are your favorites and which country do you think has the best chance of winning?

Niels Olsen: Well, I haven’t heard all the songs, but I personally find the Danish, the English, and the Swedish songs very nice, but as I [said], I haven’t heard all the songs yet.

((Mike Halterman)) The Danish version of your winning song implies women “get better with age.” Which women in the entertainment industry do you think personify that sentiment, and why?

Niels Olsen: Personally I think my wife is still a beautiful woman, but I think as you said “getting better with age” is not the right word. My wife is still a lively and attractive woman, and we are both in love with life. I also think that a woman like Annie Lennox is a beautiful woman, even though she is past 50. (Sorry, [I know] we don’t talk about a woman’s age normally. Sorry, Miss Lennox.)

Hanna Pakarinen, from Lappeenranta in Finland, first became well-known in her home country for winning the Idols television series in 2004. In 2007, she was chosen to represent Finland at Eurovision, placing 17th in the final with the song “Leave Me Alone.” Her most recent album went gold this year, and she celebrated her 28th birthday last month, her combined CD sales having risen to over 180,000.

((Mike Halterman)) What projects are you working on? What can your fan base expect to see from you this year?

Hanna Pakarinen: I released my fourth album “Love in a Million Shades” earlier this year, and now I’m doing gigs around Finland.

((Mike Halterman)) What were some of the best memories you have from going to Eurovision? What advice would you give to the singers going to Eurovision for the first time this year?

Hanna Pakarinen: I think the best memory is the moment when I got up on stage in the finals. That was amazing!

It’s hard to give any advice, but I think the only thing that’s important is just to be yourself and have fun. [smile]

((Mike Halterman)) The music videos for this year are up at youtube.com/eurovision. Which songs are your favorites and which country do you think has the best chance of winning?

Hanna Pakarinen: Of course I think the best song is the Finnish song. [smile] It’s very hard to say who is going to win; it’s the same thing every year, you never know!

((Mike Halterman)) Apart from music, what are some things that are very close to your heart? How would you like to use your popularity to help others?

Hanna Pakarinen: My family and friends, of course, and my hometown and the lake there.

I’m not really a big fan of the idea of being a role model but I’m trying to do my best, showing and telling the fans that the most important thing is to love yourself and be who you are. And always trust yourself, of course!

Charlotte Perrelli, originally Charlotte Nilsson, was an alumnus of two popular “dansbands” in Sweden before winning the Eurovision Song Contest in 1999 with the song “Take Me to Your Heaven.” She quickly became one of Sweden’s most popular solo artists, and released six albums which all charted in the Swedish Top 40. In 2008 she returned to Eurovision with the highly favored “Hero,” only to be saved at the last minute by jury decision and ranking a low 18th out of 25 nations in the final round. Perrelli, now 34, discusses her achievements and favorite moments of the past decade.

((Mike Halterman)) What projects are you working on? What can your fan base expect to see from you this year?

Charlotte Perrelli: I’m searching for new songs to [include on] my upcoming album. I´m also on the jury for the Swedish TV show Talang (Talent; the Swedish version of the “___’s Got Talent!” TV series). They can expect a new album, hopefully this year.

((Mike Halterman)) You went to Eurovision twice, winning the Contest in 1999 and then also entering last year. What were some of the best memories you had from both times you went to Eurovision?

Charlotte Perrelli: The victory in Jerusalem in ’99 was fantastic, of course. My funniest memory was when Dana [International] fell on-stage, it was unbelievable and I felt sorry for her. Last year I had a lot of memories. Everything was so different from ’99. So much bigger!

((Mike Halterman)) The music videos for this year are up at youtube.com/eurovision. Which songs are your favorites and which country do you think has the best chance of winning?

Charlotte Perrelli: I like many of the songs this year, but I believe Norway will win.

((Mike Halterman)) Which of the songs you’ve recorded is your favorite?

Charlotte Perrelli: Hmm. I have many favorites, but “Black and Blue” from my last CD is a great song; [it was] written by Fredrik Kempe. I love the lyrics.

Sirouhi Haroutunyan, nicknamed Sirusho, has been one of the most popular pop singers in Armenia since the release of her first album at age 13. In 2008, she represented Armenia at Eurovision, finishing in fourth place with the song “Qélé, Qélé.” Now 22, she is close to finishing her bachelor’s degree while still keeping up an active pace of performances and studio sessions.

((Mike Halterman)) What projects are you working on? What can your fan base expect to see from you this year?

Sirusho: I am currently working on a few big projects, one of them is the new song”Time to Pray” that I have made with my colleagues from Eurovision, Boaz Mauda and Jelena Tomasevic. The song is a protest against war, and the English lyrics are written by the President of Israel, Shimon Peres. I am also working on my fourth album which will be released in [the] summer. I also premiered my new song in Greek, “Erotas”, and it is already number one [on] all the Armenian music charts. My fans are very strong and it’s only a pleasure to work hard for them.

((Mike Halterman)) What were some of the best memories you have from going to Eurovision? What advice would you give to the singers going to Eurovision for the first time this year?

Sirusho: Eurovision is a big fun festival. I don’t want to call it a competition, because the contestants become friends. I wish for the participants to really enjoy [themselves] and not be scared of it. Eurovision can give and take so much; it took my career to a new level, [and] now I work and have fans all over Europe and it’s amazing.

((Mike Halterman)) The music videos for this year are up at youtube.com/eurovision. Which songs are your favorites and which country do you think has the best chance of winning?

Sirusho: I have met some of this year’s participants in different countries where I was singing as a guest and they were doing their promo tours. I haven’t seen all the performances so I can’t judge. Also, Eurovision is all about unexpected surprises; that’s what makes it interesting.

((Mike Halterman)) You pursued a bachelor’s degree in international relations. How do you wish to utilize your degree? If you had to stop singing tomorrow, what kind of career would you want to pursue with the degree you hold?

Sirusho: International affairs is something that had interested me. I like to learn. I always tend to learn more but I don’t even want to think about stopping my career. I was born with it, it’s a big part of who I am, and even if something happens to my vocal cords, I can go on with writing and producing songs for my colleagues…[but] enough about that; I still have so much in me to give to myaudience!

Taj?i, born Tatjana Matejaš, shot to fame in Yugoslavia at the age of 19, achieving diamond sales with her signature hit “Hajde da ludujemo (Let’s Go Crazy). She performed the song at the Eurovision Song Contest in 1990, held in her hometown of Zagreb, and placed seventh. The war in the former Yugoslavia cut her career short, and she moved to the United States, where she has lived for the past 17 years. She now tours with her husband across the United States, performing selections of contemporary Christian music. At 38, she is overjoyed to “have it all”: a family of her own and the chance to make music on her own terms. Her career is chronicled on her website.

((Mike Halterman)) What projects are you working on? What can your fans in both America and in Europe expect to see from you this year?

Taj?i: Apart from my regular tours, which I do four a year, I am working on a show called “Need a Break,” which is a bit of a step from my spiritual music and more “everyday.” It’s more what mothers go through, with marriage and kids. It’s a funny show. What I do well is I tell stories. It’s how I am. It’s who I am. It’s why pop music didn’t work for me as an artist. This new format is great for me, it’s very fulfilling and I’m very excited and looking forward to it, being able to do that and explore musical styles.

I’m also hoping to go to Zagreb this year and bring my new music to them. I think it’s time. I’ve been away for 17 years, and they still play my old music, and occasionally I go there and do radio and television interviews…I don’t know, it’s time for them to see what I’m doing. Anyone can see my stuff online, but what I do best is live; there’s a lot of energy and power there that you can’t really see in a recording or in a video. It’s different when you’re actually in the room. I want to bring it to them and say, “Here, my countrymen, my old fans, this is who I am now. This is how I grew over the last 17 years.” Kind of like a reunion.

((Mike Halterman)) What were some of the best memories you have from going to Eurovision? What advice would you give to the singers going to Eurovision for the first time this year?

Taj?i: I really enjoyed performing, I enjoyed the energy, everyone coming together and singing, talking with other people about their careers. That was the highlight. I didn’t care for the press or the competition aspect, but there’s so much to think about, the whole country is looking at you. I don’t think it could ever be just about music, it’s more political. But there’s always stuff that comes with it when you have any kind of gathering like that.

The time I was there, I was the last representative before the fall of Yugoslavia, and it was during the unification of Europe, and everyone was a bit more tense and elevated in that regard…and I was so young to experience all of that. I don’t think I knew what to quite make of it. But it was a great experience, I’ll always remember it. The night of my life, one of them anyway.

It’s also very emotional because the singer who won that year sang about “unite unite, Europe.” It was perfect at that time. After he won, in the green room, he pulled a red rose from the bouquet and gave it to me, and he paid me some compliments. For a 19-year-old girl, that meant a lot.

My advice is to have fun, and do it with all your heart. Don’t do it for the sole reason to win, not to launch your career, but because you love it, and it’s what you do and you’re good at it. You can be an inspiration to someone and it can be more than just providing entertainment.

((Mike Halterman)) The music videos for this year are up at http://www.youtube.com/eurovision . Which songs are your favorites and which country do you think has the best chance of winning?

Taj?i: Since we’re in the middle of a tour, I kind of scrolled through, and I think the quality of the songs are really wonderful. I feel like I want to pack my bags and go to Europe for the summer, because I think this is going to be a summer for some great club music!

I’m partial to countries [who sing] in their original language, and I can see how a lot of countries, how even when they do the dance number and include ethnic elements, I like that.

I like the guy from Norway, I think he’s so sincere and didn’t look to me like he was “trying” anything, he was just being himself. The song is nice and happy. It doesn’t hurt that he’s really handsome, and has a good aura about him. He had so much energy, and he grabbed me right away, the way he moved, the way he sang, it just pulled me in.

I also love Malta, I’m a fan of the big ballads. She has a beautiful voice. And Cyprus, she “did it” for me too. I also like the French song as well, but I also love the French language in general. Bosnia has a good song too, they have a certain sentiment that they always pull from and it works for them. Croatia, I wasn’t too blown away, but I’m proud of them for still singing in Croatian, even though it may not sound as pretty as English to some people. Everything else, it was like, “It’s beautiful, but I’ve seen it before.”

Everything seems like Hollywood now, I guess because it’s the times we live in now. All the girls are so pretty and the hair and makeup are perfect, and now I feel like an old lady, but I miss the characters from different parts of the world. It’s influenced so much by Hollywood and the Western music industry. It was inevitable, the melting of it [East and West] all into one, so I’m partial to bringing some sort of local element into it. It comes with finding your identity and finding your place in the world as a country.

I volunteer and give my time to a local school and teach the schoolchildren ethnic dances. I live in the Midwest now, but I used to live in Los Angeles and New York where they are a little more aware of ethnic groups. I’m teaching them these dances to give them a little sense of what’s being lost to the new kinds of culture and music. I teach some kids who were adopted from other countries, and I wonder, wow, are they ever going to be able to sing a song in Bulgarian, or Italian, or what have you?

My kids are half-American and half-Croatian, and I see how in my own life, being “globalized” and how people are losing the ethnic folklore and culture and all that, so with my kids, I try to teach them language and how to dance, because it’s the way I grew up.

((Mike Halterman)) I watched a clip of your documentary on YouTube, and I noticed one of the comments, asking you “not to forget your home, Croatia,” and to come back because the fans there miss you. Now that you’ve made a life for yourself in America, do you ever see yourself moving back to Croatia with your family? Which country do you feel more ties and loyalty to, the United States or Croatia, and why?

Taj?i: I want to take the kids and at least spend a year there when they’re teenagers, so I can show them my country and so they can learn different things there. But I don’t know, once you leave, it’s hard to go back. I miss my country, I miss the history. I miss my roots. I miss running into a friend and talking about high school and grade school, stuff that you don’t have when you move away. I love what I do, and I love what America has to offer, and what America did offer to me. There’s a certain kind of freedom that you have that you can’t have in a smaller country.

I will always be Croatian, it doesn’t matter how long I stay here. When I go home to Croatia, when I go there, I feel like I’m home, but when I come back to America, I feel like I’m home here too. I guess I have to say that a person can be “home” anywhere if they have peace within themselves. You’re gonna miss a lot of things about places you have been, and I do miss Croatia. I want to show my kids where I grew up and the parks where I played. That just may be a sentiment I’m going through right now, I don’t know. I have a good life, my husband and kids, and I love being able to make the kind of music I want to, without any contracts or obligations. I’m very happy.

CPSC, ATF warn of dangers of fireworks over US Independence Day celebrations

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CPSC, ATF warn of dangers of fireworks over US Independence Day celebrations

February 10th, 2019

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Sunday, July 4, 2010

Last week, U.S. Consumer Product Safety Commission (CPSC) held a press conference on the National Mall in Washington, DC, warning consumers of the dangers of fireworks, and advising them of safe handling. They were joined by representatives from the the Bureau of Alcohol, Tobacco and Firearms (ATF); Federal Emergency Management Agency (FEMA); the U.S. Customs and Border Protection (CBP); and other national safety agencies. Fireworks are often used to celebrate the United States’ July 4, 1776 independence from Great Britain. The Fourth of July is a time when many US families get together to celebrate, by holding reunions, picnics, barbecues, baseball games and firework displays; however, celebrations often turn sour due to injury or even death, caused by the mishandling of fireworks. In 2009, nearly 19,000 fireworks-related injuries were treated in hospitals, doctors’ offices and clinics all over the country. Around 9,000 of those were to children aged under 18, and 6,000 occurred during the 30 days surrounding Independence Day.

CPSC chairman, Inez Tenenbaum, said that burns and cuts to limbs, the face and head were the most common injuries, and over half of them were due to firecrackers, rockets and sparklers. The agencies were joined at the news conference by Jason Henderson, who was injured in 2007 after building home-made fireworks. He had found instructions online detailing how to build M-80-style fireworks, and after purchasing the chemicals, began assembling them; however, the mixture exploded which resulted in him losing both hands and his right eye, and shrapnel caused multiple lacerations and puncture wounds to his entire body. “Don’t be the show, go and enjoy the show. I want to get people to move away from putting on their own displays and just go and enjoy the free shows. I mean they are free,” Henderson said. “You might as well take advantage of them while they are there. You can spend time with your family instead of being the one to light them and taking that risk.” Henderson also appears in a public-service announcement recently released by the ATF to YouTube, that shows how he has now been fitted with bionic arms.

Agencies recommend attending community fireworks shows held by city or county officials, which are held in a more controlled and professional environment. Additionally, many jurisdictions outlaw either all fireworks, or certain types, such as rockets and firecrackers.

Fireworks increase demands on fire departments and personnel at this time of year, acting U.S. Fire Administrator Glenn Gaines noted. “Four firefighters [have been killed] as a result of illegal fireworks. Calls to EMS [Emergency Medical Services] and fire departments increased as individuals continue to be injured and burned.” The dry weather and heat that many areas are experiencing also elevate the risk of brush and structure fires. The National Fire Protection Association said that over 22,500 fires started from fireworks in 2008.

Consumers who do purchase fireworks are encouraged to follow the following common sense rules: always read and follow directions; always supervise older children and teenagers if they are permitted to use fireworks; never allow young children to play with or ignite fireworks, child-friendly sparklers and “party-poppers” are a fun and safe alternative for them; keep animals inside or well away from the fireworks, the noise will often scare them; never light any fireworks inside buildings; light fireworks on a smooth, flat surface away from houses, dry leaves, and flammable materials; never ignite fireworks in metal or glass containers; light one firework at a time; move away to a safe distance immediately after lighting a firework; never return to a firework that has not ignited properly; never throw fireworks at another person, animal, or property; do not consume alcohol when using fireworks; keep a bucket of water or a hose in close proximity in case of fire, dispose of use fireworks in the bucket of water; buy from reliable dealers; only use legal fireworks; and follow the laws of your jurisdiction.